Behind-the-scenes

This production was a race with only 4 days to prep and shoot - yet we pulled it off and it’s become one of my most productions ever. We shot this on my trusty ARRI AMIRA alongside with the Zeiss Jena vintage lenses, the Laowa 12mm T2.9 for extreme wide shots, and the Angenieux 25-250mm T3.5 for the special crash zoom shot. The shots were conducted either on a dolly or on sticks.

Lighting wise, we relied entirely on natural light and shape them using 12×12 and 8×8 Ultrabounce’s, floppy flags, and polyboards.