Behind-the-scenes

This project was shot on the Canon C70s and the SLR Magic APO Microprime Cine lens set.

For the interviews, we used 2x 600x, 2x Amaran T40C, 1x Amaran F22c, and floppies. When we’re on our run-n-gun mode, the T40C’s and the floppies came in action most of the time and, occasionally, the F22c on v-mount for maximum flexibility and mobility with the docu style the director was after.